kriton klingler ioannides is - despite all familiarity with the 'usual stuff' for audiovisual postproduction - on the lookout for the special, the transverselying, the rough and obscure, the creaking in the mix, which is able to accent the beauty of a composition and its reciprocal effect with the picture even more and thus addresses the audience on an intense, mature, emotional level. consequently, it's not inevitably about standardized musical feeling codes here, but about particular sonic tailoring, which perhaps seems best used in arthouse cinema at first, which however can make a large production sparkle too in unexpected ways.
earcandy was yesterday - here comes whole-grain musical nutrition.
